With an intoxicated spoken word that may refer to Lil' Louis, "The Real Melbourne House" pairs a sturdy Chicago house chassis with Zomby-esque bleeps and a buzzing synth loop. It's dramatic and utterly silly all at once, and the warehouse-ready acid line that jumps in only accentuates the feeling. In moments like these, Gesloten Cirkel demonstrates a rare musical dexteritytechno might as well be his first language, so peppering in little jokes sounds wholly natural..